The Good Company’s Mangez Français (“Eat French”) campaign for Monoprix encouraged consumers to use French ingredients, even when cooking dishes from around the world. How was the idea cooked up? We spoke with the agency’s Managing Director Jeanne Neuschwander and Executive Creative Director Nicolas Gadesaude.
VML Belgium and Child Focus did something that might seem unthinkable. They reactivated the phone of a boy who'd taken his own life. But the cause was a good one...
The mission was to address the UK’s labour shortage, attracting job candidates while showing that IKEA “does careers differently.” Alongside Weber Shandwick, Rapp, The Gang – and of course IKEA’s own marketing team – Mother London came up with a brilliant solution.
Creating great art is hard enough as it is, without outsiders giving their “feedback”. And yet that’s the situation creatives in any commercial environment face every day. BBDO NY’s “Museum Worthy” imagines what might have happened if Vincent van Gogh and Frida Kahlo made art to order.
In business as in music, overtures are important. When the Milan Symphony Orchestra first contacted Landor, the ensemble had a recognition problem. Previously, the orchestra was named “La Verdi”. As classical music enthusiasts know, Giuseppe Verdi was born near Parma. So the initial brief was clear: to strengthen the orchestra’s connection to the city of Milan.
Dogs have a number of gifts that resemble superpowers, from their absurdly powerful sense of smell to the ability to detect changes in air pressure, as well as low-frequency sounds. Turns out they can also predict earthquakes – a talent that inspired Serviceplan to create a potentially life-saving innovation.
Beko’s pitch was simple: it wanted to communicate the reliability of its domestic appliances, and challenged VML to come up with the ultimate idea. The brief was global and open to the entire network.
The powerful photograph of this admirable woman – taken by Wim Wenders, no less – was the latest in a long line. Scholz & Friends launched the campaign in 1995. Inspired by an even earlier illustration, from the 1950s, it features a famous person hidden behind a newspaper. The full slogan is: “There’s always a brilliant mind behind it.”
Creativity is sometimes associated with small, agile agencies – we called them “hot shops” back in the day – rather than city-sized networks. So how do you foster creativity across so many agencies and countries?
Of all the ideas that have ever surfaced in an advertising agency, one of the most unexpected must be: “We’re going to fight the neo-Nazis – but using intellectual property rights.” It’s a bit like the Chicago cops deciding to bust Capone by charging him with tax evasion. Even if it sounds counter-intuitive, it’s effective.
It’s early days in an already turbulent new presidency, but the Super Bowl will always be the Super Bowl, at least from an advertising point of view. The writer David Mamet once described it as a legitimate national holiday, along with the Oscars. The event is escapist.
The campaign, which recently won an Epica Award, puts Robert Capa’s images in a modern context to ask why the kind of wars he photographed are still being waged.
Anyone who cares about advertising no doubt has a favourite BETC campaign...In any case, you’ll have plenty of opportunity to review BETC’s greatest hits over the coming months, because the French creative powerhouse is celebrating its 30th birthday this year.
Girl&Bear has grown year on year since it launched in 2021, and its skilled team of “makers” has recently expanded to new outposts in Prague and Madrid.
Creativity doesn’t have a geographical location, but it may be that the more places, people and cultures you experience in life, the more inspiration you have to draw on. If that’s the case, then Lucas Peon has an advantage.
Many journalists around the world are behind bars simply for doing their job. The Paris-based agency BETC, along with Reporters Without Borders and the French magazine Society, found a way of enabling them to express themselves. Not just beyond borders, but beyond prison walls.
French insurer CNP Assurances and the agency The Good Company are using real estate billboards marked “Not For Sale” to make a point during breast cancer awareness month, known as “Octobre Rose” in France.
Currently [Ai]magination has around 35 people across all FRED & FARID offices and has already worked with a number of clients, including LVMH, L’Oréal, Valentino, Ferrero, Heineken and Fox Studios, to name a few.
Nike is famous for 30 or 60-second ads that capture in a kinetic flash the essence of how it feels to be an athlete. The brand’s latest film – created by Amsterdam agency WE ARE Pi – is an entirely different beast.
Her impressive career has included stints at the New York Post, where she spent seven years covering media, then NBC News, where she was senior media editor.
It’s always interesting to see to what extent the founder of an agency resembles their business. Jonathan Emmins, founder and Global CEO of Amplify, seems energetic, curious and forward-looking. What could be better for a buoyant indie agency that’s somewhat outside the mainstream?
People – and brands – can’t get enough of sport. Even in today’s media environment, where streaming and social media draw millions of eyeballs, events like the Olympic Games have the power to stir up a fervor over broadcasting rights and sponsorship deals.
It’s sometimes a good idea to create something out of frustration: to solve a problem nobody else seems willing to address. That’s what happened with Brave Spark, founded by Rob Drake and Robin Shek in 2010. They felt that production and creativity were working too far apart. Their creative studio – which fused the two – was the result.
A unique experience of understanding various cultural insights from all over the world, but also learning from brands' standpoints and concrete positions via powerful campaigns with meaningful messages.
Most people think there’s a difference between art and technology. PJ Pereira doesn’t see a space between them. More accurately, he sees the space – and he lives in it.
It’s not uncommon for a person who works for a brand to express admiration and loyalty for it – but in Severine Vauleon’s case it rings true. After all, with a gap in between, she’s worked for LUX for a total of almost ten years.
With fake news still undermining facts and AI worming its way into newsrooms, the press faces more challenges than ever. Following World Press Freedom Day on May 3, we find out how journalism is fighting back.
Pop music is a theme of the first part of our interview, mostly because the agency is called The Brill Building. Sound familiar? In fact, it’s a building in Manhattan that became a vital component of the music industry.
In partnership with the IAA France, we discuss the perception of advertising among young people, and find out what efforts are being made to attract young talent to the industry. Here are some key points from the interviews.
In a series of interviews in partnership with the IAA France, we discuss the perception of advertising among young people, and find out what efforts are being made to attract young talent to the industry. In the last of our four articles, we hear from Shilpa Sinha, Chief Strategy Officer APAC, McCann Worldgroup Asia Pacific.
In a series of interviews in partnership with the IAA France, we discuss the perception of advertising among young people, and find out what efforts are being made to attract young talent to the industry. This time it's the turn of a teacher: Mary Hargreaves, Teaching Fellow, Advertising & Marketing degree (BA Hons), Lancaster University, UK.
In a series of interviews in partnership with the IAA France, we discuss the perception of advertising among young people, and find out what efforts are being made to attract young talent to the industry. In this article we talk to Bas Korsten, Global Chief Creative Officer, Innovation and Co-Chief Creative Officer, EMEA, VML.
The new agency 777, created by Herezie and Armando Testa, is already handling two major accounts for automotive giant Stellantis: legendary auto brand Lancia and – as announced last week – the group’s second-hand vehicles brand, SPOTICAR.
The Escape Industry takes readers on a journey through the evolution of this fascinating industry, from 19th century trailblazers such as Thomas Cook and The Ritz, to today's innovators such as TripAdvisor and Airbnb. A lively read full of incidents, anecdotes and unexpected encounters.
Adland is a ground-breaking examination of modern advertising, from its origins and evolution to the current advertising landscape. Bestselling author Mark Tungate examines key developments in the industry, from the first print ads, to the emergence of radio and TV and the opportunities afforded by the explosion of digital media. All backed up by exclusive interviews with adland luminaries including Jean-Marie Dru, Sir Alan Parker, Sir John Hegarty, Sir Martin Sorrell and George Lois.
Fashion Brands takes you 'behind the seams' to expose how the use of advertising, store design and the media can transform a mere piece of clothing into something with an almost mystical allure. Packed with first-hand interviews with fashion brand gurus and industry insiders.
Beauty is a multi-billion dollar global industry embracing make-up, skincare, hair care, fragrances, cosmetic surgery - even tattooing and piercing. Over the years it has used flattery, seduction, science and shame to persuade consumers that they'll have to invest if they want to look their best. In Branded Beauty, Mark Tungate delves into the history and evolution of the beauty business.
With wit, accuracy and insatiable curiosity, Luxury World takes us on a voyage around the luxury universe, slipping behind the façades of the world's most sophisticated businesses to show the reader how they function.
Branded Male paints a portrait of the male consumer. From razor blades to beer, from aftershave to hotels, author Mark Tungate finds out which marketing messages have the most impact on male wallets. Men's bank balances may never be the same again.